2020 Faculty and Staff Showcase

Tina Betz

STEM Outreach

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Largemouth Bass

Largemouth Bass

Flameworked glass sculpture

Nurture

Nurture

Flameworked glass sculpture

Kristina A. Boylan

Communications and Humanities

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History Warp and Weft (interior) History Warp and Weft (Study and Exterior)

History Warp and Weft

Medium: hand-painted woven fabric (cotton thread, textile dye), textured paper, pen and ink, ribbon; watercolor (model sketch)

Transcript of calligraphed text:
"During the whole of my sickness, I was nursed in a most devoted and affectionate manner by my maid Fanny. At times she actually wept over me...And yet--when I was scarce able to walk without assistance--she left me without provocation or reason--left me in the night, and that too without the slightest notice."
-- Catherine Devereux Edmonston, Diarist, Civil War*

She could not read between her own lines to find out why. To comprehend Fanny's history, one must read between the lines--indeed, between the pages. No one likes to be owned--that is why Fanny had to tear herself away. Everyone who is able to walk alone should do so.

* The quote comes from Eugene D. Genovese's study _Roll, Jordan Roll: The World the Slaves Made_ (Vintage Books, 1976), p. 99. Genovese contrasts quotes from formerly enslaved persons discussing their deep desires for freedom amidst the denials of their humanity under the constraints of slaveholders, with quotes that demonstrate the concerted non-comprehension exhibited by slaveholders of the humanity of the persons forced to work in their households. Though Genovese documents reflections from other formerly enslaved persons, regrettably there is no quote from Fanny to directly counter Catherine's version of events. Primary sources need to be read carefully for what they contain and what they lack, as they give us incomplete pictures of the past.

When I produced this work (as an undergraduate history and art student), I had hoped that the painted warp fabric would closely resemble the watercolor sketch I used as a model; however my amateur skills at loom-threading resulted in an image less photorealistically but more historiographically accurate.

Andrea Dziubek

Mathematics and Physics

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Summer 2020

Summer 2020

Painting

So glad the painting was not depressive when it looked back at me.

Robert Edgell

College of Business Management

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Joshua Tree ROCKS!

Joshua Tree ROCKS!

Photography.

I am amazed by Joshua Tree's rich and vibrant desert colors.

Utica GLISTENS!

Utica GLISTENS!

Photography

The varied and historic architecture of Utica becomes so pronounced at night under adverse weather.

Amir Fariborz

Mathematics and Physics

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Untitled - Flowers

Untitled - Flowers

Oil on canvas

Snowscape

Snowscape

Oil on canvas

Ana Jofre

Communications and Humanities

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Tom Thomson's Canoe

This work was originally a book-art piece, which I adapted into a video. It is a tribute of sorts to the Canadian wilderness painter Tom Thomson, created about 10 years ago when I was living in North Carolina and when I made the decision to drastically change my career.

Daryl Lee

Communications and Humanities

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Still Life

Still Life

Terrarium (reclaimed mason jar, potting medium, live plants, LEGO figure, and LED lighting)

I made this a few weeks before the full force of the pandemic hit. Now it's difficult not to see it as reflecting the weirdness of life in a quarantine bubble.

Spring Break 2020

Spring Break 2020

Terrarium (reclaimed mason jar, potting medium, live plants, plastic figures, and LED lighting)

Thomas Perez

Security

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Woman-Man

Woman/man

Drawing

Untitled drawing

Untitled

Drawing

Paul Schulman

Social and Behavioral Sciences

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Moonflower unfurling

Moonflower unfurling

Photography

Moonflower, in bloom early evening

Moonflower, in bloom early evening

Photography

Zora Thomova

Mathematics and Physics

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Acadia NP

Acadia NP

Photography

Just spooky

Just spooky

Photography